CELESTIAL Show - DNA Galleries

Posting this almost two years after the fact, but I wanted to make a post about a show I did back in December of 2015 at one of my favorite galleries in Oklahoma City. I've been selling prints at DNA Galleries for years now and when they asked me to show work in their gallery space I was super excited to participate. 

Some Q's and A's from DNA:

What is your medium/process? 

I paint multiple thin layers of oil paint on wood. There’s a mix of reference photos and freestyle painting. I never really know how something is going to turn out, and I think that’s essential for me when I paint.

Rosette Nebula, oil on board, 2015

Rosette Nebula, oil on board, 2015

Where are you from? 

I was born and raised in Oklahoma City, and graduated from Oklahoma State University. After college, I moved to Texas and lived in Galveston and Austin. I recently moved back to OKC this past summer.

Anaitisa, oil on board, 2015

Anaitisa, oil on board, 2015

How would you describe your latest body of work? 

“Celestial” is a series that focuses on fictional deities that rule other worlds and galaxies. Their names are reminiscent of Greek, Celtic, Persian, and Egyptian goddesses. I wanted to create divine beings that could either be ancient or futuristic.

Nephthysus, oil on board, 2015

Nephthysus, oil on board, 2015

What inspires you?

I’m very much inspired by nature, anatomy, and astronomy. I feel they are very much full of life and full of death. It’s intriguing and beautiful.

Lumina, oil on board, 2015

Lumina, oil on board, 2015

How did you get started?

Like most people, I started painting as a kid. In pre-school, my teacher called my mom to tell her she was worried because I refused to draw stick figures. My mom later told me that I came home that day complaining because “people don’t look like sticks!” I hadn’t yet figured out how to draw a human body. I’ve been infatuated with painting and drawing ever since.

Orion Nebula, oil on board, 2015

Orion Nebula, oil on board, 2015

What are your goals for the future?

I’d love to create life-size round panels of galaxies that invoke an immersive view of space. I’d also love to create a conceptual interpretation of my “Floral Anatomy” series by creating a garden inside of a gallery made completely of flowers and bones.

What advice do you have to artists?

If you put in the time, love, and energy, you will see results. That doesn’t mean every piece will be amazing, but you always have to keep at it to grow as an artist. Try not to put so much stress on yourself and just play around and have fun with your work. Experiment!

Gem Show

So excited to post some images from a recent show I had at The Social Club in Norman, Oklahoma. I was their featured artist for November and I decided to display all the little gem paintings I've been working on from the past year. I've always loved working on a small scale and this was a perfect way to show off my "rock collection". 

I loved the idea of displaying them in an almost scientific format with the thick cradled wood acting as a boxed illusion of the specimen. Added with the fact that they are tiny, it just seemed to go hand in hand. I'm also incredibly fond of rainbows and it just seemed the most natural way to display these little paintings I love so much.

You can shop originals and prints here

Here are some photos of the show as well as a few favorites of mine!

Pink Diamond, oil on board, Trisha Thompson Adams 2016

Pink Diamond, oil on board, Trisha Thompson Adams 2016

One of my favorites, and also took soooo long to paint. I think I'll keep him. 

One of my favorites, and also took soooo long to paint. I think I'll keep him. 

Rhodochrosite, oil on board, Trisha Thompson Adams 2016

Rhodochrosite, oil on board, Trisha Thompson Adams 2016

A few in progress shots...

amethyst studio.jpg
New Studio, a Siren, and a Nebula Print!

I've been a little MIA lately and that's mostly due to the fact I packed things up and moved to a larger studio. I'm so excited to have more space, light, and the sweetest little balcony. It's still a little too chilly, but I'm really looking forward to bringing my oils outside and painting in the sunshine.

This space is only temporary since we will be moving this summer, but for the moment it's nice to enjoy all the new places we've been able to visit/live. 

Scanned version of one of my sirens. I have several in progress atm, and I can't wait to see how each piece will emerge into it's own being. One of my favorite things about painting is the process of layering. Each layer brings with it new depth, life, and mistakes, which results in this new creation that has so much energy to it. It's the reason I love painting so much.

Also wanted to mention I now have Orion Nebula prints in my shop. I love the crispness and color in these prints; they turned out incredibly lovely. Painting galaxies and nebulae has proven to be a very spiritual and calming experience. 

I'm painting and packing prints in the studio today. Hope you all have a fulfilling and wonderful week!

Celestial Siren

I recently finished this celestial siren oil painting and I'm completely smitten. She doesn't have a name yet, though I'm leaning towards something like Luceria. The reference photo was taken from this lovely photo of Kassi Smith by Kenny Sweeney. I have a few more sirens in the works that I'm pretty excited about; this whole series has me pretty excited.

It feels good to be working on a larger scale than I'm used to. There's more freedom with my brushstrokes and that's a a really wonderful feeling.

Well, I'm off to paint and eat tacos, have a lovely weekend! 

Cycles

I've been gradually working on larger paintings and offering larger sized prints lately. Tinyartshop started in 2012 as miniatures were a huge interest of mine, and while I still love tiny paintings and will continue to make them, painting larger pieces has been stirring in my heart lately and I've been following the desire to work on a bigger scale. Life is so cyclic and I often go where it wants to take me. In college I worked on a large scale (there were a few pieces that were hard to get in and out of doorways) and I explored going larger and larger. After awhile I reversed and went small, exploring how small I could go (I have a 1x1 inch etching of a tooth). Right now I'm kind of in-between and whatever it is I want to paint (a galaxy, a portrait, anatomy) I let the image decide for me. Usually I can feel if something needs to be smaller or larger, but it's still a process figuring it all out. I'm having fun with it. 

Speaking of going larger, I now have larger prints available in the shop. Floral Anatomy Heart (along with Skeleton and Ribcage) come in 5x7, 8x10 and now 11x14 inches. Eventually I think it'd been fun to get into poster sized prints. There's so many things stirring in me that I'm itching to do, but there's never enough time. Regardless, I'm excited with the new things I've been working on, including this celestial siren I'm painting. She'll eventually have galaxies in her hair. I love her already. 

Afternoon light selfies. I don't know what I'd do without the afternoon light in my studio. It warms my soul and revitalizes me. I feel the same with moonlight, though I don't get to see the moon as easily from my apartment at the moment. My first dorm in college had a large window next to my bed and I always fell asleep by the moonlight and it was one of the most comforting things. I'm starting to go off on a tangent, so I'll end this post with this: I'm thankful for sunlight, for Austin, for feeling the motivation to paint, and for Mondays. Hopefully that will last all week. ;)